![]() ![]() ![]() This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. Dissociation is the ultimate goal of Monarch mind control. In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. I wanted to do the same thing with this video-take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.” In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. “There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In an interview with E! Online, Gaga herself explained this fact: Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning like most people do. I could already picture a video of Gaga on a dance floor not answering her cell phone. When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. Don’t know what the hell I’m talking about? Keep reading. ![]() The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood by the masses. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. In the article Lady Gaga, the Illuminati puppet (which I suggest you read before this one), I dissected the Akerlund-directed video Paparazzi and its references to mind-control programming. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. ![]() So I watched the video and, gosh darn it, the people who wrote those e-mails were right. An inevitable deluge of e-mails instantly followed, demanding an article about it. Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. I wanted to do the same thing with this video - take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper: the idea that America is full of young people that are inundated with information and technology and turn it into something that is more of a commentary on the kind of country that we are.Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. The Swedish filmmaker and video director's best known achievement to date is his Grammy-winning contribution to the promo of Madonna's " Ray of Light." Gaga explained to E! News why she hooked up with Åkerlund again: "There was this really amazing quality in 'Paparazzi,' where it kind of had this pure pop music quality but at the same time it was a little bit of commentary on fame culture. Jonas Åkerlund, who previously helmed Gaga's " Paparazzi" mini movie, directed the clip. The song's music video is a controversial nine-and-a-half minute Tarantino homage featuring lesbian prison porn, much product placement, and some swearing and murdering. ![]()
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